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Queen Anne
The roses match the wallpaper, and the wallpaper matches the china, and none of it is accidental. Queen Anne holds the Victorian and Edwardian parlor at its most unapologetically feminine — tufted velvet, tiered cake stands, lace at every edge. Floral transferware, needlepoint cushions, cameo brooches, and the pressed glass powder jar that has been on the vanity since someone's grandmother set it there. Rococo curves and Edwardian embellishment, pattern layered over pattern, each piece a considered argument for ornament as its own kind of order. Ruffled, floral, beautiful, and proud of it.
collection no. 07
About This Collection
There is nothing restrained about this collection, and there was never meant to be. Queen Anne is Victorian, Edwardian, Rococo — the elaborate feminine tradition at full expression. Curved silhouettes, tufted surfaces, hand-painted porcelain, silk velvet in jewel tones, lace, ornamental brass. Pieces from 1837 through the early 1910s, when ornamentation was a craft and restraint was considered poverty of imagination.
Sourced from the estates and parlors of the Great Lakes region. Brought here intact.